Having thought about this for a while, it is my decision to update this at least once a week. From my standpoint, once a week still grants a self-imposed deadline while not interrupting my general creative work.
With that said, this week is going to be a cop-out of sorts. I’ll be going to help my brother out at camp for the next few days, and I found the following survey while browsing my favorite sites, which eventually lead me to back-link to the original survey. So…enjoy this window into my creative psyche.
PART ONE: COMICS PERSONALITY TYPE
Name: Mark Elton
Age: 24
Sign: Cancer
Introverted or extroverted?
Both. During the winter, I am generally more intro. Summer, extro. Overall, it really depends on my mood.
What are your top 5 procrastination tools?
1. Research
2. Internet
3. Napping
4. Movies
5. Cleaning (seriously)
What gets your juices flowing?
In order for me to get inspired, there generally needs to be incredibly good art, activity, or some combination of the two.
PART TWO: COMICS CONSUMER
What kind of comics do you like to read?
I read most comics, but predominately find more enjoyment within the works of independent creators.
What kind of comics do you dislike?
Superhero books featuring major tier characters (Batman, Spiderman, Superman, etc.) are snorefully dull. Comic books that feature a combination of those major tier heroes are the paramount of stagnating prose.
When were you first introduced to comics?
The Sunday comic strips were present at an early age, but comics go all the way back to third grade, where a classmate passed me a copy of a Pizza-Hut promotional X-Men comic. After that, I would pick up random single issues of various books at gas stations during family vacations that would usually occur over the holidays. The event that pushed me into inescapable fandom, however, was when I received an entire long box filled with an assorted collection of comics, ranging from Avengers to X-Men, Ewoks to Heathcliff.
What were some of your first comics?
The first comics that really hooked me were X-Men, probably because of the cartoon that was airing around that period of my youth.
When did you first get "The spark"?
I’ve always enjoyed drawing. Some of my earliest memories are of sitting at a cafĂ© table, asking my mom to draw me dinosaurs, and then trying as hard as possible to imitate the drawing. As years passed, notebook after notebook would be filled with TMNT, X-Men, and various Disney characters. When I realized that people could get paid to draw these characters, I was hooked into reading whatever comic strip or book I could get my hands on, including a foreign collection of Donald Duck in a language I could barely read.
What is your favorite animated movie?
My favorite animated film is actually Fantasia. Every new musical segment presents a fresh animated film. It could possibly be considered as the first animated anthology.
What is your favorite anime series?
I don’t watch much anime. There was a period during my sophomore year in college that included an embarrassingly dedicated addiction to Naruto. Thankfully it was only a phase. Now, however, Futurama never seems to get old, regardless of how many times the episodes are watched, and Venture Bros. is utter genius!
PART THREE: COMICS CREATOR
What kind of comics do you make?
My work is best described as an amalgamation of action-adventure stories and philosophical discourse.
When did you first start making comics?
In early high school, the first pathetic seeds of comic-strippery developed. As a freshman in college, the first full-page, full-color creation was made. Sophomore year brought the first multi-page story, while junior year introduced the serious study of page-layout and character design. Finally, senior year was the cherry, where I had the opportunity to draw a weekly comic strip for the college paper and a monthly, multi-page serial for the gaming club newsletter.
What are your favorite comic artists right now?
My fave artists at the moment include Bryan Lee O’Malley, Skottie Young, Darwyn Cooke, Dan Hipp, Mike Mignola, Masashi Kishimoto, and the ever-lovin’, immortal work of Jack “King” Kirby.
What are your main influences in comics?
Jeff Smith’s Bone is an epic size story with Disney-like sensibilities. Mike Mignola’s blend of gothic horror and traditional folklore displayed in his distinctly dark, noir-nouveau style encapsulates the balance of art to story relativity that I strive to achieve. Kirby has an immense divinity on the page; one of the few artists that can actually capture a massive, celestial scene within paper borders.
Given that comics is probably fifty-percent art, maybe more attention should be given to writing. Grant Morrison is a creative genius within the fences of mainstream work (Seven Soldiers of Victory, All-Star Superman), and an utter savant within the free-ranges of independent books (The Invisibles, We3). Alan Moore, writer of The League of Extraordinary Gentlemen, stunned me with the brilliance of Black Dossier. Seeing him seamlessly sew the common comic book format with retro pulp prose opens doors to the future possibilities that comics can contain. And, of course, Neil Gaiman, though not nearly as out-there as the two previous poets, has a way with words that harkens back to Shakespeare. He’s tomorrow’s bard in today’s books.
On an international stage, Moebius has a tounge-in-cheek, cross-genre fantasy leaning that is missing very little, if anything. I have probably read Scott Pilgrim Vol. 1 at least ten times in the past two years. O’Malley’s story is completely relatable while still being utterly fantastic. Finally, Osama Tezuka, the Manga-God, is an inspiration because of his mature stories hidden within Disney influenced art.
Artistically?
I really feel like this is the third time this question has been asked, so let’s shake it up a bit. The art of Alphonse Mucha and Norman Rockwell really jazzes me in the traditional sense. Masashi Kishimoto’s line is realistic without losing any stylistic leanings. Darwyn Cooke’s page layout is reminiscent of the best in cinematography.
Who do you admire in comics?
The guys at Penny Arcade have captured the future in terms of entertainment marketing. Their business model is a sterling example of the future of capitalism - a digital economy.